Bach Bibliography Search Result

Series : ^MLetters$
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Output sorted : chronologically (table)

Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Bach's 'Vorspiele' of 1739.	MLetters	1	3	Jul 1920	218-224
	2.	Hymn Preludes.	MLetters	1	3	Jul 1920	224-227
	3.	The Cantata in Being.	MLetters	1	3	Jul 1920	227-229
	4.	XVII Century Orchestral Instruments.	MLetters	1	4	Oct 1920	334-342
	5.	The Workmanship of Bach.	MLetters	3	3	Jul 1922	229-236
	6.	The Harpsichord.	MLetters	3	3	Jul 1922	269-273
	7.	A Note on the Clavichord and the Harpsichord.	MLetters	4	2	Apr 1923	162-169
	8.	The Appoggiatura. (b) In Mozart, Gluck, Bach, &c.	MLetters	5	2	Apr 1924	124-132
	9.	The Fall and Rise of the Hymn Tune.	MLetters	6	1	Jan 1925	35-45
	10.	Passion Music Before 1724.	MLetters	7	3	Jul 1926	258-264
	11.	The Rhythm of Metrical Psalm-Tunes.	MLetters	9	1	Jan 1928	29-33
	12.	The Present Neglect of Bach.	MLetters	10	2	Apr 1929	189-196
	13.	Bach's Music and Church Acoustics.	MLetters	11	2	Apr 1930	146-155
	14.	The Philosopher and the Artist.	MLetters	11	3	Jul 1930	241-254
	15.	Baron Bach [Carl Ernst Baron de Bagge]	MLetters	12	2	Apr 1931	130-139
	16.	Viola pomposa and Violoncello piccolo.	MLetters	12	4	Oct 1931	354-364
	17.	The Associated Board's edition of Bach's 'Forty-eight'	MLetters	12	4	Oct 1931	378-383
	18.	Bach's 'Quodlibet'.	MLetters	14	1, 2	Jan; Apr 1933	1-17; 188
	19.	R. J. S. Stevens (1757-1837) and His Contemporaries.	MLetters	14	2	Apr 1933	128-137
	20.	The Spurious 'Bach' 'Lucaspassion'.	MLetters	14	3	Jul 1933	207-221
	21.	The Significance of the Bach Chorale.	MLetters	14	4	Oct 1933	313-317
	22.	J. S. Bach and Consecutives in Accompaniment.	MLetters	14	4	Oct 1933	318-325
	23.	An Introduction to Organ Music.	MLetters	14	4	Oct 1933	326-342
	24.	The Violin Music of Handel and Bach.	MLetters	16	3	Jul 1935	188-199
	25.	The Recitatives of the St. Matthew Passion.	MLetters	16	3	Jul 1935	208-225
	26.	Handel and Bach. Extract from the speech of the German Ambassador on opening an exhibition of autographs at Oxford.	MLetters	16	3	Jul 1935	226-229
	27.	Bach through the ages.	MLetters	16	3	Jul 1935	230-237
	28.	The Organ Works of Bach and Handel.	MLetters	16	4	Oct 1935	296-304
	29.	French Influences on Bach.	MLetters	16	4	Oct 1935	312-320
	30.	The Conventions of Bach.	MLetters	16	4	Oct 1935	321-324
	31.	Portraits of Bach.	MLetters	17	4	Oct 1936	287-288
	32.	Mid-Eighteenth-Century Transformations of Style.	MLetters	18	3	Jul 1937	265-275
	33.	Martin Luther and Music.	MLetters	19	1	Jan 1938	67-78
	34.	Bach and the English Oculist.	MLetters	19	2	Apr 1938	182-198
	35.	An Oxford Collection of Mendelssohniana.	MLetters	19	4	Oct 1938	426-428
	36.	The Craftsmanship of Bach's Choral music.	MLetters	20	3	Jul 1939	266-277
	37.	A Lost Bach Magnificat.	MLetters	21	4	Oct 1940	312-318
	38.	The Myth of Equal Temperament.	MLetters	21	4	Oct 1940	347-361
	39.	The Schweitzerian Heresy.	MLetters	23	4	Oct 1942	265-289
	40.	Schweitzer on Bach.	MLetters	26	2	Apr 1945	102-112
	41.	The Bach Passions and Greek Tragedy.	MLetters	27	4	Oct 1946	221-224
	42.	The English Translator of Forkel.	MLetters	28	3	Jul 1947	301-302
	43.	Melodic Patterns in Bach's Counterpoint.	MLetters	29	1	Jan 1948	48-56
	44.	Bach's Symbolic Language.	MLetters	30	4	Oct 1949	345-354
	45.	What Bach wrote for the Flute and Why.	MLetters	31	1	Jan 1950	46-52
	46.	A Little Bach Discovery.	MLetters	31	2	Apr 1950	184
	47.	Bach's Secular Cantata Texts.	MLetters	31	3	Jul 1950	189-195
	48.	Mrs. Oom and the 'Forty-Eight'.	MLetters	32	1	Jan 1951	98-99
	49.	'Two Centuries of Bach'.	MLetters	32	1	Jan 1951	102
	50.	Bach Improvising at the Organ.	MLetters	32	2	Apr 1951	115-117
	51.	Mrs Oom and the 'Forty-Eight'.	MLetters	32	3	Jul 1951	298-299
	52.	Mrs Oom and the 'Forty-Eight'.	MLetters	32	3	Jul 1951	299-300
	53.	The New Bach Edition.	MLetters	33	1	Jan 1952	99
	54.	Bach's Prelude on 'Erbarm dich'.	MLetters	33	3	Jul 1952	215-216
	55.	The London Autograph of 'The 48'.	MLetters	34	1	Jan 1953	39-40
	56.	The London Autograph of 'The Forty-Eight'.	MLetters	34	2	Apr 1953	106-123; (361-362)
	57.	Bach as Transcriber.	MLetters	34	4	Oct 1953	306-313
	58.	James Hutton and Bach.	MLetters	34	4	Oct 1953	361-362
	59.	An Investigation into the Authenticity of Bach's 'Kleine Magnificat'.	MLetters	36	3	Jul 1955	233-236
	60.	The Wind Music of J. C. Bach.	MLetters	37	2	Apr 1956	107-117
	61.	Three Abridged Versions of Bach's St. Matthew Passion.	MLetters	37	4	Oct 1956	336-339
	62.	Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571).	MLetters	38	1	Jan 1957	21-27
	63.	Bach's E major Violin Concerto reconsidered.	MLetters	38	1	Jan 1957	53-65
	64.	Beethoven and the Bach Family.	MLetters	38	4	Oct 1957	353-358
	65.	C. P. E. Bach's Harpsichord Concertos.	MLetters	39	3	Jul 1958	227-241
	66.	The Authorship of Bach's Cantata No. 15.	MLetters	41	1	Jan 1960	28-32
	67.	Bach's 'Fiauti d'Echo'.	MLetters	41	4	Oct 1960	331-341
	68.	An introduction to Bach.	MLetters	42	2	Apr 1961	196-198
	69.	On using J. S. Bach's keyboard fingerings.	MLetters	43	2	Apr 1962	123-128
	70.	J. S. Bach and English Organ Music.	MLetters	44	2	Apr 1963	140-151
	71.	Outlines of a New Picture of Bach.	MLetters	44	3	Jul 1963	214-227
	72.	A New Look at Bach's Ornamentation.	MLetters	46	1, 2	Jan; Apr 1965	4-15; 126-133
	73.	Bach's 'Lauten Werck'.	MLetters	48	3	Jul 1967	259-264
	74.	The Use of Baroque Treatises on Musical Performance.	MLetters	48	4	Oct 1967	315-324
	75.	Beethoven and the Metronome.	MLetters	48	4	Oct 1967	330-349
	76.	A Reconsideration of French Over-Dotting.	MLetters	50	1	Jan 1969	111-123
	77.	Basso continuo on the Organ.	MLetters	50	1, 2	Jan; Apr 1969	136-152; 230-245
	78.	Editorial.	MLetters	50	3	Jul 1969	329-330
	79.	Bach's setting of Psalm CXVII (BWV 230).	MLetters	52	1	Jan 1971	19-26
	80.	The Concerto Allegro in the Early Eighteenth Century.	MLetters	52	1, 2	Jan; Apr 1971	8-18; 159-172
	81.	Historical influences in the growth of Brahms' 'Requiem'.	MLetters	53	1	Jan 1972	3-17
	82.	Elgar's two-fold enigma: A religious sequel.	MLetters	54	1	Jan 1973	57-60
	83.	The Davies sisters, J.C. Bach and the glass harmonica.	MLetters	56	2	Apr 1975	150-169
	84.	Bach's C major Orchestral Suite: a New Look at Possible Origins.	MLetters	57	2	Apr 1976	152-163
	85.	Changing views of C.P.E. Bach.	MLetters	69	4	Oct 1988	461-464
	86.	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory.	MLetters	70	2	Apr 1989	191-205
	87.	Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto.	MLetters	71	4	Nov 1990	494-504
	88.	The Carl Philipp Emanuel Bach Edition.	MLetters	73	3	Aug 1992	510-511
	89.	A Nietzschean Libretto: Delius and the Text for 'A Mass of Life'.	MLetters	79	2	May 1998	244-267
	90.	Mendelssohn's Babel: Romanticism and the Poetics of Translation.	MLetters	80	1	Feb 1999	23-49
	91.	Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints.	MLetters	80	2	May 1999	183-206
	92.	Constructing Johann Christoph Bach (1642-1703).	MLetters	80	3	Aug 1999	345-365
	93.	Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II.	MLetters	81	3	Aug 2000	364-391
	94.	'For instruments not Intended': The Second J.C. Bach Lawsuit.	MLetters	83	1	Feb 2002	3-29
	95.	Johann Nikolaus Forkel on the Listening Practices of 'Kenner' and 'Liebhaber'.	MLetters	84	3	Aug 2003	414-433
	96.	Thematic Return in Late Bach Fugues.	MLetters	87	4	Nov 2006	515-522
	97.	Meditation and Consolatory Soul-God Dialogues in Seventeenth-Century Lutheran Germany.	MLetters	88	3	Aug 2007	436-457
	98.	'What never was has ended': Bach, Bergman, and the Beatles in Christopher Münch's 'The hours and times'.	MLetters	94	1	Feb 2013	119-137
	99.	Mendelssohn's Performances of the 'Matthäus-Passion': Considerations of the Documentary Evidence.	MLetters	97	3	Aug 2016	409-464